Aditya Chopra ‘was chasing drones’ at his secret 13-guest wedding with Rani Mukerji

A recently shared anecdote from filmmaker Karan Johar has provided a rare glimpse into the intensely private wedding of Yash Raj Films head Aditya Chopra and acclaimed actress Rani Mukerji. The story highlights Chopra’s well-documented aversion to the public eye, which apparently extended to a vigilant watch for drones during his own nuptials.

An Ultra-Private Italian Ceremony

The couple’s wedding was a remarkably exclusive event, held in Italy with a guest list limited to just 13 people. This choice underscored their desire to maintain utmost privacy for the significant occasion, far from the media glare that typically surrounds Bollywood celebrities. The intimate gathering included close friends and family, with Karan Johar being one of the few in attendance.

The Groom's Drone Distraction

According to Johar, who recounted the story on The Great Indian Kapil Show, Aditya Chopra spent the wedding ceremony preoccupied with the belief that paparazzi were attempting to capture the event using drones. His focus was reportedly fixed on scanning the skies for any sign of intrusion. Rani Mukerji, who was also a guest on the show, humorously added that her husband was more focused on “chasing drones” than on her during the proceedings. This behavior offers a candid illustration of the lengths Chopra goes to in order to avoid being photographed.

A Reputation for Reclusiveness

Aditya Chopra is famously one of the most reclusive figures in the Indian film industry. Despite helming one of Bollywood's largest production houses, he has consistently avoided media appearances and public photography. The wedding day story aligns perfectly with his long-standing reputation for guarding his personal life fiercely. The couple, who have a daughter named Adira, have successfully kept their family life largely out of the spotlight since their marriage.

The revelation by Karan Johar provides a unique and amusing insight into the personality of a filmmaker who prefers to let his work speak for itself, reinforcing his status as a private individual even on his most public of days.